Welcome to the first concert I covered in 2015! One of my goals this year is to post photos in a much more timely manner. I wrote up this review and processed the photos the day after this show. Not too shabby! There is a full write up over on Surviving the Golden Age if you'd like to read about that. Otherwise, this post is going to talk about an issue I discovered with Adobe Lightroom.
I'm going to talk a little bit about how I achieved the color in my photos: custom white balance. The photo below shows you how the camera wanted to shoot on auto white balance. While I don't mind a bit of stage lighting color, when it's this obnoxious, I want to try to correct for it. The acoustics here are amazing, but hey, it's a church and it isn't set up for great lighting. Two sets of LED floods are set up, spilling the magenta/bluish tones you see over everything. I would've turned the majority of these shots into black and whites, but I wanted to salvage some color.
Preview straight out of camera, no processing at all.
The good thing about Center Church is that there is a big ol stage set in the same light that I know is white. To set a custom white balance, you take a photo with what is supposed to be white in the center of your frame. You tell the camera that this should be white and change your settings to custom white balance. The results I was seeing in camera gave me nearly perfect skin tones to the left, and a pretty strong green tone on the right. I was all right with that. When I got home and loaded the photos into Lightroom for processing (I'm still using version 4) the fun really started. While Lightroom is normally a great tool for photographers, it has limitations.
Left: what I saw in camera after setting the custom white balance. Right: the maxed out temperature and tint version Lightroom produced
Ok, enough technical talk, enjoy the photos.
Laura Stevenson
Kevin Devine
Into It. Over It.
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